2026
catalogue entries for Rebecca Horn. Emotion in Motion (Wuppertal: Skulpturenpark Waldfrieden, 2026), edited by Lynette Roth and Bibiana Obler [essay]
2025
“Digital Dilapidation. Jean Pierre Bekolo’s Les Saignantes and the Economy of Images,” in: Film Quarterly, Volume 79, No. 1 (Fall 2025), 21–32 [peer-reviewed]
“Burning Man,” first page 11 (Fall 2025) [fiction]
review of Hans Haacke at Kunsthalle Schirn, Frankfurt, taz, January 1st, 2025 [criticism]
“The Raw and the Cooked. Larry Gottheim’s Corn (1970),” ultra dogme, February 7th, 2023. Reisussed in: Intervals of Light & Darkness: A Collection of New & Selected Texts on the Cinema of Larry Gottheim, edited by Malkah Manouel, Ruairí McCann, and Maximilien-Luc Proctor (2025) [essay]
2024
review of Made in Germany? Art and Identity in a Global Nation at Harvard Art Museums, e-flux, November 4, 2024. Republished in print in e-flux Index #6 (June 2025) [criticism]
review of Tropical Modernism. Architecture and Independence at Victoria & Albert Museum, taz, August 6th, 2024 [criticism]
“Follow the Money,” review of Cameron Rowland, Amt 45 i at Tower MMK, Frankfurt am Main, X-TRA, Vol. 26, No. 1 (Spring 2024) [criticism]
with Tobias Rosen: “Almost Conceptual,” review of the 2023 Taipei Biennial, Texte zur Kunst, April 26, 2024 [criticism]
“A Questionnaire on Splits,” edited by Flora Brandl, Tobias Rosen, Luise Mörke, re:visions issue “Pseudomorphism,” April 2024. contributors: Basim Magdy, Sila Ulug, Irving Ramó, LJ Rader, Andrea Khôra, Sammy Baloji, Flora Brandl and Sue de Beer [editorial]
with Tobias Rosen: “Editorial,” re:visions issue on “Pseudomorphism,” April 2024 [essay]
2023
“Bad Sex,” review of L’Été Dernier by Catherine Breillat, Viennale Critics Circle, December 2023 [criticism]
“Impossible Shelter: On Wang Bing’s Arcades,” review of Youth (Spring) by Wang Bing, Viennale Critics Circle, October 2023. Print Version published in Jugend ohne Film
[criticism]
“Letters for the End of the World,” with Lena Baumann, Viennale Critics Circle, October 2023. Print version published in Jugend ohne Film [criticism]
“Myths without Heroes,” review of Camping Du Lac by Éléonore Saintagnan, Viennale Critics Circle, October 2023. Print version published in Jugend ohne Film [criticism]
“Hanging On, Drifting Off, Treading Water. Christian Petzold’s Undine, Or: Towards an Awkward Romanticism,” in Velvet Light Trap, Volume 23 (Fall 2023), 52-64 [peer-reviewed]
“Burning Down The House. Christian Petzold on Afire,” interview by Tobias Rosen and Luise Mörke, MUBI notebook, March 2023 [interview]
“Berlin By The Sea (and some doodles from Berlinale),” Berlinale Talents, February 2023 [essay]
“I Want A Dyke For President,” joint review of Manodrome by John Trengrove and Sean Penn’s press conference for Superpower, Berlinale Talents, February 23rd, 2023 [criticism]
“Armchair Ideology. Henrike Naumann interviewed by Luise Mörke and Tobias Rosen,” BOMB, February 2023 [interview]
“What Could Have Been Asked,” review of Seven Winters in Teheran by Steffi Niederzoll, Berlinale Talents, February 21st, 2023 [criticism]
with Jack Seibert: “The Geometry of Movement: Computer-Generated Imagery in Film.” Dossier in Senses of Cinema, January 2023 [editorial]
2022
“Die Verrenkungen des Geldes,” review of Trust by Hernán Diaz, die tageszeitung, October 4th, 2022 [criticism]
“True Colors. Aura aesthetics and ambient identity in the platform age,“The Baffler, July 2022 [essay]
“Ach, alles so verlogen,” review of Fake Accounts by Lauren Oyler, ZEIT Online, March 2nd, 2022 [criticism]
“A Sound Named Jessica,” Photogénie, February 2022 [essay]
“Memory Foam,”Chaotic Merge 3, January 2022 [fiction]
“My Slice of Cake is a Very Big Mess,”Teenage Dreams, January 2022 [fiction]
Teenage Dreams. Online zine edited by Lena Baumann, Tobias Rosen, Luise Mörke, January 2022 [editorial]
2021
“Growing Out Your Bangs with Joachim Trier,” review of The Worst Person in the World by Joachim Trier, Photogénie, October 23rd, 2021 [criticism]
“The Discreet Insanity of the Bourgeoisie,” review of Das Mädchen und die Spinne by Silvan und Ramon Zürcher, Photogénie, October 21st, 2021 [criticism]
“Sledgehammer Delicacy,” review of Faya Dayi by Jessica Beshir, Photogénie, October 19th, 2021 [criticism]
“Vested Interest. On Andy Warhol’s My Hustler,”ultra dogme, September 2021 [criticism]
“Hard Cover: Christian Petzold, Reader/Director,” MUBI notebook, May 2021 [essay]
“The Awkward Altbau. Urban Structures and Dreams of the Future in Konrad Wolf’s Solo Sunny,” ultra dogme, April 2021 [essay]
“Ralph Lemon Takes The Fall,”The Brooklyn Rail, March 2021 [criticism]
“An eerily vulnerable thing. Miranda July and the Failure of Profundity,” Photogénie, February 2021 [essay]
2020
“Topographies of Adolescence,” ultra dogme, December 2020 [essay]
“What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience,”Senses of Cinema, October 2020 [essay]
2017
HECKE. Edited by Liz Stumpf, Mette Kleinsteuber and Luise Mörke. Berlin: Galerie Kunstpunkt, 2017. Exhibition catalog [editorial]
