# https://luisemoerke.com


## Pages

- [writing](https://luisemoerke.com/index.php/writing/): 2026 catalogue entries for Rebecca Horn. Emotion in Motion (Wuppertal: Skulpturenpark Waldfrieden, 2026), edited by Lynette Roth and Bibiana Obler [essay] 2025 “Digital Dilapidation. Jean Pierre Bekolo’s Les Saignantes and the Economy of Images,” in: Film Quarterly, Volume 79, No. 1 (Fall 2025), 21–32 [peer-reviewed] “Burning Man,” first page 11 (Fall 2025) [fiction] review of Hans Haacke at Kunsthalle Schirn, Frankfurt, taz, January 1st, 2025 [criticism] “The Raw and the Cooked. Larry Gottheim’s Corn (1970),” ultra dogme, February 7th, 2023. Reisussed in: Intervals of Light & Darkness: A Collection of New & Selected Texts on the Cinema of Larry Gottheim, edited […]
- [](https://luisemoerke.com/): about i am a writer, critic, and art historian. my academic work revolves around the relation between aesthetic forms and global capitalism, specifically in post-reunification germany. before joining harvard’s department of art, film, and visual studies as a phd candidate, i studied art history and classical archaeology in berlin, paris, and berkeley. i grew up on the baltic sea and in scotland, and now live in cambridge, ma, and berlin. i write a substack called softshell and collect artworks and images on tumblr. my essays, interviews, and criticism have appeared in e-flux, texte zur kunst, the baffler, x-tra, mubi notebook, taz, […]


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