<\/p>\n\n\n\n
best of<\/p>\n\n\n\n
“Follow the Money,” review of Cameron Rowland, Amt 45 i<\/em> at Tower MMK, Frankfurt am Main, X-TRA<\/em>,<\/a> Vol. 26, No. 1 (Spring 2024)<\/p>\n\n\n\n with Tobias Rosen: “Almost Conceptual,” review of the 2023 Taipei Biennial, Texte zur Kunst<\/a><\/em>, April 26, 2024<\/p>\n\n\n\n “Impossible Shelter: On Wang Bing’s Arcades,” review of Youth (Spring)<\/em> by Wang Bing, Viennale Critics Circle<\/em><\/a>, October 2023. Print Version published in Jugend ohne Film<\/em><\/p>\n\n\n\n \u201cHard Cover: Christian Petzold, Reader\/Director,\u201d MUBI notebook<\/a><\/em>, May 2021<\/p>\n\n\n\n \u201cWhat\u2019s in a Cone? Barbara Loden\u2019s Wanda<\/em> Between Weakness and Resilience,\u201dSenses of Cinema<\/a><\/em>, October 2020<\/p>\n\n\n\n peer-reviewed<\/p>\n\n\n\n “Digital Dilapidation. Jean Pierre Bekolo’s Les Saignantes <\/em>and the Economy of Images,” in: Film Quarterly<\/a><\/em>, Volume 79, No. 1 (Fall 2025), 21\u201332<\/p>\n\n\n\n \u201cHanging On, Drifting Off, Treading Water. Christian Petzold\u2019s Undine<\/em>, Or: Towards an Awkward Romanticism,\u201d in Velvet Light Trap<\/a><\/em>, Volume 23 (Fall 2023), 52-64<\/p>\n\n\n\n on the longer side<\/strong><\/p>\n\n\n\n “Follow the Money,” review of Cameron Rowland, Amt 45 i<\/em> at Tower MMK, Frankfurt am Main, X-TRA<\/a><\/em>, Vol. 26, No. 1 (Spring 2024)<\/p>\n\n\n\n with Tobias Rosen: “Almost Conceptual,” review of the 2023 Taipei Biennial, Texte zur Kunst<\/a><\/em>, April 26, 2024<\/p>\n\n\n\n with Tobias Rosen: “Editorial,” re:visions<\/a><\/em> issue on “Pseudomorphism,” April 2024<\/p>\n\n\n\n “Letters for the End of the World,” with Lena Baumann, Viennale Critics Circle<\/a><\/em>, October 2023. Print version published in Jugend ohne Film<\/em><\/p>\n\n\n\n \u201cTrue Colors. Aura aesthetics and ambient identity in the platform age,\u201cThe Baffler<\/a><\/em>, July 2022<\/p>\n\n\n\n “A Sound Named Jessica,” Photog\u00e9nie<\/a><\/em>, February 2022<\/p>\n\n\n\n \u201cHard Cover: Christian Petzold, Reader\/Director,\u201d MUBI notebook<\/a><\/em>, May 2021<\/p>\n\n\n\n \u201cRalph Lemon Takes The Fall,\u201dThe Brooklyn Rail<\/a><\/em>, March 2021<\/p>\n\n\n\n \u201cAn eerily vulnerable thing. Miranda July and the Failure of Profundity,\u201d Photog\u00e9nie<\/a><\/em>, February 2021<\/p>\n\n\n\n \u201cThe Awkward Altbau. Urban Structures and Dreams of the Future in Konrad Wolf\u2019s Solo Sunny<\/em>,\u201d ultra dogme<\/a><\/em>, April 2021<\/p>\n\n\n\n \u201cTopographies of Adolescence,\u201d ultra dogme<\/a><\/em>, December 2020<\/p>\n\n\n\n \u201cWhat\u2019s in a Cone? Barbara Loden\u2019s Wanda<\/em> Between Weakness and Resilience,\u201dSenses of Cinema<\/a><\/em>, October 2020<\/p>\n\n\n\n on the shorter side<\/p>\n\n\n\n exhibition review of Hans Haacke<\/em> at Kunsthalle Schirn, Frankfurt, taz<\/a><\/em>, January 1st, 2025<\/p>\n\n\n\n exhibition review of Tropical Modernism. Architecture and Independence<\/em> at Victoria & Albert Museum, taz<\/a><\/em>, August 6th, 2024<\/p>\n\n\n\n “Bad Sex,” review of L’\u00c9t\u00e9 Dernier<\/em> by Catherine Breillat, Viennale Critics Circle<\/em><\/a>, December 2023<\/p>\n\n\n\n “Impossible Shelter: On Wang Bing’s Arcades,” review of Youth (Spring)<\/em> by Wang Bing, Viennale Critics Circle<\/em><\/a>, October 2023. Print Version published in Jugend ohne Film<\/em><\/p>\n\n\n\n “Myths without Heroes,” review of Camping Du Lac by \u00c9l\u00e9onore Saintagnan, Viennale Critics Circle<\/a><\/em>, October 2023. Print version published in Jugend ohne Film<\/em><\/p>\n\n\n\n “I Want A Dyke For President,” joint review of Manodrome<\/em> by John Trengrove and Sean Penn’s press conference for Superpower<\/em>, Berlinale Talents<\/em><\/a>, February 23rd, 2023<\/p>\n\n\n\n “What Could Have Been Asked,” review of Seven Winters in Teheran<\/em> by Steffi Niederzoll, Berlinale Talents<\/a><\/em>, February 21st, 2023<\/p>\n\n\n\n “The Raw and the Cooked. Larry Gottheim’s Corn<\/em> (1970),” ultra dogme<\/em><\/a>, February 7th, 2023. Reisussed in: Intervals of Light & Darkness: A Collection of New & Selected Texts on the Cinema of Larry Gottheim<\/a><\/em>, edited by Malkah Manouel, Ruair\u00ed McCann, and Maximilien-Luc Proctor (2025)<\/p>\n\n\n\n \u201cDie Verrenkungen des Geldes,\u201d review of Trust<\/em> by Hern\u00e1n Diaz, die tageszeitung<\/a><\/em>, October 4th, 2022<\/p>\n\n\n\n \u201cAch, alles so verlogen,\u201d review of Fake Accounts<\/em> by Lauren Oyler, ZEIT Online<\/a><\/em>, March 2nd, 2022<\/p>\n\n\n\n \u201cGrowing Out Your Bangs with Joachim Trier,\u201d review of The Worst Person in the World<\/em> by Joachim Trier, Photog\u00e9nie<\/a><\/em>, October 23rd, 2021<\/p>\n\n\n\n \u201cThe Discreet Insanity of the Bourgeoisie,\u201d review of Das M\u00e4dchen und die Spinne<\/em> by Silvan und Ramon Z\u00fcrcher, Photog\u00e9nie<\/a><\/em>, October 21st, 2021<\/p>\n\n\n\n \u201cSledgehammer Delicacy,\u201d review of Faya Dayi<\/em> by Jessica Beshir, Photog\u00e9nie<\/a><\/em>, October 19th, 2021<\/p>\n\n\n\n \u201cVested Interest. On Andy Warhol\u2019s My Hustler<\/em>,\u201dultra dogme<\/a><\/em>, September 2021<\/p>\n\n\n\n fiction<\/p>\n\n\n\n “Memory Foam,\u201dChaotic Merge<\/a><\/em> 3, January 2022<\/p>\n\n\n\n \u201cMy Slice of Cake is a Very Big Mess,\u201dTeenage Dreams<\/a><\/em>, January 2022<\/p>\n\n\n\n as editor<\/p>\n\n\n\n “A Questionnaire on Splits,” edited by Flora Brandl, Tobias Rosen, Luise M\u00f6rke, re:visions<\/em> <\/a>issue “Pseudomorphism,” April 2024. with Jack Seibert: \u201cThe Geometry of Movement: Computer-Generated Imagery in Film.<\/a>\u201d Dossier in Senses of Cinema<\/em>, January 2023<\/p>\n\n\n\n Teenage Dreams<\/a><\/em>. Online zine edited by Lena Baumann, Tobias Rosen, Luise M\u00f6rke, January 2022<\/p>\n\n\n\n HECKE<\/a><\/em>. Edited by Liz Stumpf, Mette Kleinsteuber and Luise M\u00f6rke. Berlin: Galerie Kunstpunkt, 2017. Exhibition catalog<\/p>\n\n\n\n interviews (conducted)<\/p>\n\n\n\n “Burning Down The House. Christian Petzold on Afire<\/em>,” interview by Tobias Rosen and Luise M\u00f6rke, MUBI notebook<\/a><\/em>, March 2023<\/p>\n\n\n\n \u201cArmchair Ideology. Henrike Naumann interviewed by Luise M\u00f6rke and Tobias Rosen,\u201d BOMB<\/a><\/em>, February 2023<\/p>\n\n\n\n Comrades of the Kino<\/a> podcast, 2020<\/p>\n\n\n\n interviews (given)<\/p>\n\n\n\n “A Conversation with Luise M\u00f6rke,” interviewed by Lassiter Jamison, Chaotic Merge Blog<\/a><\/em>, December 2022<\/p>\n\n\n\n mixed media<\/p>\n\n\n\n
contributors: Basim Magdy, Sila Ulug, Irving Ram\u00f3, LJ Rader, Andrea Kh\u00f4ra, Sammy Baloji, Flora Brandl and Sue de Beer<\/p>\n\n\n\n