{"id":2,"date":"2022-12-21T02:30:59","date_gmt":"2022-12-21T02:30:59","guid":{"rendered":"http:\/\/luisemoerke.com\/?page_id=2"},"modified":"2026-05-26T17:07:54","modified_gmt":"2026-05-26T17:07:54","slug":"home","status":"publish","type":"page","link":"https:\/\/luisemoerke.com\/","title":{"rendered":""},"content":{"rendered":"\n<div class=\"wp-block-group alignwide is-nowrap is-layout-flex wp-container-core-group-is-layout-c7ebd8d6 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-columns alignwide has-small-font-size is-layout-flex wp-container-core-columns-is-layout-3660e2f1 wp-block-columns-is-layout-flex\" style=\"margin-top:var(--wp--preset--spacing--x-small);margin-right:var(--wp--preset--spacing--x-large);margin-bottom:var(--wp--preset--spacing--x-small);margin-left:var(--wp--preset--spacing--x-large)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<figure class=\"wp-block-image alignfull size-full has-custom-border is-style-default\" style=\"margin-top:0;margin-right:var(--wp--preset--spacing--x-large);margin-bottom:0;margin-left:var(--wp--preset--spacing--x-large)\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"2080\" src=\"https:\/\/luisemoerke.com\/wp-content\/uploads\/2026\/05\/scan_lum066_2025-10-07-21-17-18_1-1-edited-scaled.jpeg\" alt=\"\" class=\"wp-image-617\" style=\"border-style:none;border-width:0px;border-top-left-radius:33px;border-top-right-radius:33px;border-bottom-left-radius:33px;border-bottom-right-radius:33px\" srcset=\"https:\/\/luisemoerke.com\/wp-content\/uploads\/2026\/05\/scan_lum066_2025-10-07-21-17-18_1-1-edited-scaled.jpeg 2560w, https:\/\/luisemoerke.com\/wp-content\/uploads\/2026\/05\/scan_lum066_2025-10-07-21-17-18_1-1-edited-300x244.jpeg 300w, https:\/\/luisemoerke.com\/wp-content\/uploads\/2026\/05\/scan_lum066_2025-10-07-21-17-18_1-1-edited-1024x832.jpeg 1024w, https:\/\/luisemoerke.com\/wp-content\/uploads\/2026\/05\/scan_lum066_2025-10-07-21-17-18_1-1-edited-768x624.jpeg 768w, https:\/\/luisemoerke.com\/wp-content\/uploads\/2026\/05\/scan_lum066_2025-10-07-21-17-18_1-1-edited-1536x1248.jpeg 1536w, https:\/\/luisemoerke.com\/wp-content\/uploads\/2026\/05\/scan_lum066_2025-10-07-21-17-18_1-1-edited-2048x1664.jpeg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-0524153d wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group alignwide has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group alignwide has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\" style=\"padding-top:var(--wp--preset--spacing--x-small);padding-bottom:var(--wp--preset--spacing--x-small);font-style:normal;font-weight:700\">about<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0;font-style:normal;font-weight:100;line-height:1.6\">i am a writer, critic, and art historian. my academic work revolves around the relation between aesthetic forms and global capitalism, specifically in post-reunification germany.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0;font-style:normal;font-weight:100;line-height:1.6\">before joining harvard&#8217;s department of art, film, and visual studies as a phd candidate, i studied art history and classical archaeology in berlin, paris, and berkeley. i grew up on the baltic sea and in scotland, and now live in cambridge, ma, and berlin.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0;font-style:normal;font-weight:100;line-height:1.6\">i write a substack called <a href=\"https:\/\/luluemrok.substack.com\/\" data-type=\"link\" data-id=\"https:\/\/luluemrok.substack.com\/\">softshell<\/a> and collect artworks and images on <a href=\"https:\/\/luluemrok.tumblr.com\/\" data-type=\"link\" data-id=\"https:\/\/luluemrok.tumblr.com\/\">tumblr<\/a>. my essays, interviews, and criticism have appeared in <a href=\"https:\/\/www.e-flux.com\/criticism\/638657\/made-in-germany-art-and-identity-in-a-global-nation\">e-flux<\/a>, <a href=\"https:\/\/www.textezurkunst.de\/en\/articles\/luise-moerke-tobias-rosen-taipei-biennial\/\">texte zur kunst<\/a>, <a href=\"https:\/\/thebaffler.com\/latest\/true-colors-morke\">the baffler<\/a>, <a href=\"https:\/\/www.x-traonline.org\/article\/follow-the-money\">x-tra<\/a>, <a href=\"https:\/\/mubi.com\/es\/notebook\/posts\/hard-cover-christian-petzold-reader-director\">mubi notebook<\/a>, <a href=\"https:\/\/taz.de\/Architektur-der-Tropischen-Moderne\/!6025257\/\">taz<\/a>, <a href=\"https:\/\/brooklynrail.org\/2021\/03\/dance\/Ralph-Lemon-Takes-The-Fall\">the brooklyn rail<\/a>, <a href=\"https:\/\/bombmagazine.org\/articles\/2023\/02\/01\/armchair-ideology-henrike-naumann-interviewed\/\">BOMB<\/a>, and <a href=\"https:\/\/www.sensesofcinema.com\/2020\/feature-articles\/whats-in-a-cone-barbara-lodens-wanda-between-weakness-and-resilience\/\">senses of cinema<\/a>, among others. i am an associate of harvard&#8217;s <a href=\"https:\/\/daviscenter.fas.harvard.edu\/about\/people\/luise-moerke\" data-type=\"link\" data-id=\"https:\/\/daviscenter.fas.harvard.edu\/about\/people\/luise-moerke\">davis center<\/a> for russian and eurasian studies, a member of <a href=\"https:\/\/www.aica.de\/mitglieder\/luise-moerke\/\">aica<\/a>, and a resident tutor at <a href=\"https:\/\/cabot.harvard.edu\/people\/luise-m%C3%B6rke\" data-type=\"link\" data-id=\"https:\/\/cabot.harvard.edu\/people\/luise-m%C3%B6rke\">cabot house<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"padding-top:0;padding-bottom:0;font-style:normal;font-weight:100;line-height:1.6\">contact: luisemoerke [at] gmail [dot] com<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>about i am a writer, critic, and art historian. my academic work revolves around the relation between aesthetic forms and global capitalism, specifically in post-reunification germany. before joining harvard&#8217;s department of art, film, and visual studies as a phd candidate, i studied art history and classical archaeology in berlin, paris, and berkeley. i grew up [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/luisemoerke.com\/index.php\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/luisemoerke.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/luisemoerke.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/luisemoerke.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/luisemoerke.com\/index.php\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":98,"href":"https:\/\/luisemoerke.com\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":621,"href":"https:\/\/luisemoerke.com\/index.php\/wp-json\/wp\/v2\/pages\/2\/revisions\/621"}],"wp:attachment":[{"href":"https:\/\/luisemoerke.com\/index.php\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}