“China/Africa. The Split as Form, or: A Challenge to Comparison,” at 19th ACASA Triennial on African Art, Chicago, August 2024

“Deepfake Sovereignty and Piecemeal Totality,” at Art, Film, and Visual Studies Workshop, Harvard University, December 2023, and at NYU Cinema Studies Conference holding the gaze, New York, February 2024

“Digital Dilapidation. On Jean-Pierre Bekolo’s Les Saignantes (2005),” at Refraction and Resistance: Writing African Art, Graduate Symposium at The Clark Art Institute, Williamstown, MA, April 2023

“State of Disrepair. Unraveling digital film through Bekolo‘s Les Saignantes,” at Digital Histories, Graduate Conference at the Department of Modern Culture and Media, Brown University, November 2022

“Innovate/Dilapidate. Selly Raby Kane‘s entrepreneurial Afrofuturism,” at First Forum: Accumulation and Excess, University of Southern California, Division of Cinema and Media Studies, October 2022

“Insubstantial actualities. Digitality and the Politics of Frequency in Apichatpong Weerasethakul‘s Memoria (2021)” at Virtual Matters: Rethinking Image and Reality in Art History, University of Pittsburgh, Department of History of Art and Architecture, March 2022

“They Meet at the Casino. Chris Kraus’s Chance Event as a Postscript to Postmodernism,” at IN EXCESS. RASC/a Art History Graduate Student Conference, Southern Methodist University, January 2022