most recent
review of Made in Germany? Art and Identity in a Global Nation at Harvard Art Museums, e-flux, November 2024
“Follow the Money,” review of Cameron Rowland, Amt 45 i at Tower MMK, Frankfurt am Main, X-TRA, Vol. 26, No. 1 (Spring 2024)
with Tobias Rosen: “Almost Conceptual,” review of the 2023 Taipei Biennial, Texte zur Kunst, April 26, 2024
with Tobias Rosen: “Editorial,” re:visions issue on “Pseudomorphism,” April 2024
“Impossible Shelter: On Wang Bing’s Arcades,” review of Youth (Spring) by Wang Bing, Viennale Critics Circle, October 2023. Print Version published in Jugend ohne Film
peer-reviewed
“Hanging On, Drifting Off, Treading Water. Christian Petzold’s Undine, Or: Towards an Awkward Romanticism,” in Velvet Light Trap, Volume 23 (Fall 2023), 52-64
on the longer side
“Follow the Money,” review of Cameron Rowland, Amt 45 i at Tower MMK, Frankfurt am Main, X-TRA, Vol. 26, No. 1 (Spring 2024)
with Tobias Rosen: “Almost Conceptual,” review of the 2023 Taipei Biennial, Texte zur Kunst, April 26, 2024
with Tobias Rosen: “Editorial,” re:visions issue on “Pseudomorphism,” April 2024
“Letters for the End of the World,” with Lena Baumann, Viennale Critics Circle, October 2023. Print version published in Jugend ohne Film
“True Colors. Aura aesthetics and ambient identity in the platform age,“The Baffler, July 2022
“A Sound Named Jessica,” Photogénie, February 2022
“Hard Cover: Christian Petzold, Reader/Director,” MUBI notebook, May 2021
“Ralph Lemon Takes The Fall,”The Brooklyn Rail, March 2021
“An eerily vulnerable thing. Miranda July and the Failure of Profundity,” Photogénie, February 2021
“The Awkward Altbau. Urban Structures and Dreams of the Future in Konrad Wolf’s Solo Sunny,” ultra dogme, April 2021
“Topographies of Adolescence,” ultra dogme, December 2020
“What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience,”Senses of Cinema, October 2020
on the shorter side
exhibition review of Tropical Modernism. Architecture and Independence at Victoria & Albert Museum, taz, August 6th, 2024
“Bad Sex,” review of L’Été Dernier by Catherine Breillat, Viennale Critics Circle, December 2023
“Impossible Shelter: On Wang Bing’s Arcades,” review of Youth (Spring) by Wang Bing, Viennale Critics Circle, October 2023. Print Version published in Jugend ohne Film
“Myths without Heroes,” review of Camping Du Lac by Éléonore Saintagnan, Viennale Critics Circle, October 2023. Print version published in Jugend ohne Film
“I Want A Dyke For President,” joint review of Manodrome by John Trengrove and Sean Penn’s press conference for Superpower, Berlinale Talents, February 23rd, 2023
“What Could Have Been Asked,” review of Seven Winters in Teheran by Steffi Niederzoll, Berlinale Talents, February 21st, 2023
“The Raw and the Cooked. Larry Gottheim’s Corn (1970),” ultra dogme, February 7th, 2023
“Die Verrenkungen des Geldes,” review of Trust by Hernán Diaz, die tageszeitung, October 4th, 2022
“Ach, alles so verlogen,” review of Fake Accounts by Lauren Oyler, ZEIT Online, March 2nd, 2022
“Growing Out Your Bangs with Joachim Trier,” review of The Worst Person in the World by Joachim Trier, Photogénie, October 23rd, 2021
“The Discreet Insanity of the Bourgeoisie,” review of Das Mädchen und die Spinne by Silvan und Ramon Zürcher, Photogénie, October 21st, 2021
“Sledgehammer Delicacy,” review of Faya Dayi by Jessica Beshir, Photogénie, October 19th, 2021
“Vested Interest. On Andy Warhol’s My Hustler,”ultra dogme, September 2021
fiction
“Memory Foam,”Chaotic Merge 3, January 2022
“My Slice of Cake is a Very Big Mess,”Teenage Dreams, January 2022
as editor
“A Questionnaire on Splits,” edited by Flora Brandl, Tobias Rosen, Luise Mörke, re:visions issue “Pseudomorphism,” April 2024.
contributors: Basim Magdy, Sila Ulug, Irving Ramó, LJ Rader, Andrea Khôra, Sammy Baloji, Flora Brandl and Sue de Beer
with Jack Seibert: “The Geometry of Movement: Computer-Generated Imagery in Film.” Dossier in Senses of Cinema, January 2023
Teenage Dreams. Online zine edited by Lena Baumann, Tobias Rosen, Luise Mörke, January 2022
HECKE. Edited by Liz Stumpf, Mette Kleinsteuber and Luise Mörke. Berlin: Galerie Kunstpunkt, 2017. Exhibition catalog
interviews (conducted)
“Burning Down The House. Christian Petzold on Afire,” interview by Tobias Rosen and Luise Mörke, MUBI notebook, March 2023
“Armchair Ideology. Henrike Naumann interviewed by Luise Mörke and Tobias Rosen,” BOMB, February 2023
Comrades of the Kino podcast, 2020
interviews (given)
“A Conversation with Luise Mörke,” interviewed by Lassiter Jamison, Chaotic Merge Blog, December 2022
mixed media
“Berlin By The Sea (and some doodles from Berlinale),” Berlinale Talents, February 2023